Fichier:Kalari Pattu.jpg
Kiɖe tɛɛ takayaɣ (Kpaɣna pɩkɩsɛlɩ 5 795 nɛ pɩtalɩ 3 863 ñɩŋgʋ, takayaɣ walanzɩ : 2,29 Mio, MIME akɩlɩ : image/jpeg)
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Kɛdɩtʋ
KɛdɩtʋKalari Pattu.jpg |
English: Kalari Pattu, also known as Kalaripayattu, is one of the oldest martial arts in the world, originating in Kerala, India. Its history dates back thousands of years, with roots in the ancient Indian texts such as the Dhanurveda (science of warfare) and the Vedas. The term "Kalari" refers to the training ground or battlefield, while "Pattu" translates to technique or practice.
Historically, Kalari Pattu was not only a means of combat but also a way of life for warriors in Kerala. It was practiced by various communities, including the Nairs, Thiyyas, and Ezhavas, and was an integral part of their cultural and social fabric. Training in Kalari Pattu involved rigorous physical conditioning, including exercises to enhance flexibility, strength, and agility. The art form encompasses a wide range of techniques, including strikes, kicks, grappling, weaponry, and healing methods. These techniques are classified into different stages of training, with students progressing from basic exercises to advanced combat maneuvers. Kalari practitioners are trained to use their entire body as a weapon, mastering both armed and unarmed combat. Beyond its martial aspects, Kalari Pattu also incorporates elements of spirituality and holistic health. Traditional Kalari schools often include teachings on Ayurveda (traditional Indian medicine), yoga, and meditation, emphasizing the importance of mental discipline and inner balance alongside physical prowess. Over time, Kalari Pattu has evolved from a battlefield skill to a performing art and a means of physical fitness. It has gained international recognition for its effectiveness as a self-defense system and its contribution to the development of other martial arts around the world. Today, Kalari Pattu continues to be practiced in Kerala and has spread to other parts of India and the world. It is preserved through dedicated Kalari schools (known as Kalari koodams) where experienced masters pass on their knowledge to the next generation, ensuring that this ancient martial art form remains alive and vibrant in contemporary times.
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Efemiye | |||
Kiɖe | Ɖeke tʋmɩyɛ | ||
Mayʋ | The pixelwriter2309 |
Labɩnaʋ paɣtʋ
- Ŋwɛ ña-tɩ yɔɔ
- tɛyʋʋ – tʋmɩyɛ kɩlabɩyɛ ɖɩnɛ ɖɩ-kɩlɛmʋʋ kpaɣʋ; tʋmɩyɛ kɩlabɩyɛ ɖɩnɛ ɖɩ-tɛyʋʋ ; tʋmɩyɛ kɩlabɩyɛ ɖɩnɛ ɖi-yekinaʋ
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- Pɩtɩŋna paɣtʋ ndʋ tɩ-wɛ pɩ-tɛɛ yɔ tɩ-yɔɔ :
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- Tɛyɩ mbʋ pɩlɩ ɖama yɔ – Yee ŋñɔɔzaa yaa ŋlɛɣzaa yaa ŋñɩɣ takayaɣ kanɛ kɔ- yɔɔ, pʋwɛɛ se ŋtɛyɩ ña-takayaɣ kɩñɔɔzaɣ waɖɛ haʋ kʋɖʋmbʋ mbʋ pʋ-yɔɔ yaa waɖɛ haʋ mbʋ pʋwɛ ɛzɩ pʋnɛ yɔ.
- Ŋwɛ ña-tɩ yɔɔ
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- siduu – tʋmɩyɛ kɩlabɩyɛ malɩsnaʋ
- Pɩtɩŋna paɣtʋ ndʋ tɩ-wɛ pɩ-tɛɛ yɔ tɩ-yɔɔ :
- Tɩɣyɩtʋ – Pʋwɛɛ se ŋyaa kiɖe tɛɛ takayaɣ mayʋ hɩɖɛ ɛzɩ mayʋ wɩlʋʋ yɔ yaa waɖɛ yɔɔ ɖoŋ wɛnayʋ weyi ɛhaɣ-ŋ waɖɛ nɖɩ yɔ (ɛlɛ, pɩtaawɛɛ ɛzɩ ɛtɩnɩɣ ñɔ-yɔɔ kanɛ yɔ yaa ɛzɩ etisaa se ŋlabɩna takayaɣ nɛ tʋmɩyɛ yɔ).
- Tɛyɩ mbʋ pɩlɩ ɖama yɔ – Yee ŋñɔɔzaa yaa ŋlɛɣzaa yaa ŋñɩɣ takayaɣ kanɛ kɔ- yɔɔ, pʋwɛɛ se ŋtɛyɩ ña-takayaɣ kɩñɔɔzaɣ waɖɛ haʋ kʋɖʋmbʋ mbʋ pʋ-yɔɔ yaa waɖɛ haʋ mbʋ pʋwɛ ɛzɩ pʋnɛ yɔ.
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Éléments décrits dans ce fichier
dépeint français
créé par français
Valeur sans élément de Wikidata
statut des droits d'auteur français
sous droit d'auteur français
durée d'exposition français
0,002 kɛlɛmkɛlɛm
nombre d'ouverture français
9
distance focale français
42,1 millimètre
sensibilité ISO français
400
type MIME français
image/jpeg
nature de l’élément français
photographie français
source du fichier français
taille des données français
2 398 076 octet
hauteur français
3 863 pixel
largeur français
5 795 pixel
somme de contrôle français
a88904e833bfe62e2019c99b7174c3dc6f09c9ce
pris avec français
Sony Alpha 7 IV français
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Efemiye nɛ ñɩɣtʋ | Tampɔɔ | Walanzɩ | Labɩnayʋ | Tɔm taa nuutuu | |
---|---|---|---|---|---|
lɛlɛɛyɔ | 20 Lakɩŋ fenaɣ 2024 à 08:39 | 5 795 × 3 863 (2,29 Mio) | The pixelwriter2309 | Uploaded own work with UploadWizard |
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Fabricant de l’appareil photo | SONY |
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Modèle de l’appareil photo | ILCE-7M4 |
Auteur | anmol |
Durée d’exposition | 1/500 s (0,002 s) |
Ouverture focale | f / 9 |
Sensibilité ISO (vitesse d’obturation) | 400 |
Date et heure de génération des données | 21 Kɔlaɣ fenaɣ 2024 à 17:35 |
Longueur focale de la lentille | 42,1 mm |
Logiciel utilisé | Adobe Imagecore (Linux) |
Date de modification du fichier | 20 Lakɩŋ fenaɣ 2024 à 08:37 |
Programme d’exposition | Réglage manuel |
Version d’EXIF | 2.32 |
Date et heure de la numérisation | 21 Kɔlaɣ fenaɣ 2024 à 17:35 |
Vitesse d’obturation APEX | 8,965784 |
Ouverture APEX | 6,33985 |
Luminance APEX | 8,61875 |
Biais de compensation d’exposition APEX | 0 |
Ouverture maximale interne de la lentille | 2,96875 APEX (f / 2,8) |
Mode de mesure | Motif géométrique |
Source de lumière | Inconnue |
Flash | Flash non déclenché, suppression du flash obligatoire |
Fractions de secondes de l’horodatage de la prise de vue originale | 097 |
Fractions de secondes de l’horodatage de la numérisation | 097 |
Espace colorimétrique | Non calibré |
Résolution horizontale du plan focal | 1 966,8377380371 |
Résolution verticale du plan focal | 1 966,8377380371 |
Unité de résolution du plan focal | 3 |
Source du fichier | Appareil photo numérique |
Type de scène | Image photographiée directement |
Rendu d’image personnalisé | Procédé normal |
Mode d’exposition | Exposition manuelle |
Balance des blancs | Balance des blancs automatique |
Taux de zoom numérique | 1 |
Longueur focale pour un film 35 mm | 42 mm |
Type de capture de la scène | Standard |
Contraste | Normal |
Saturation | Normale |
Netteté | Normale |
Lentille utilisée | 24-70mm F2.8 DG DN | Art 019 |
Date de la dernière modification des métadonnées | 20 Lakɩŋ fenaɣ 2024 à 08:37 |
Identifiant unique du document original | 227D87A34CCEBC261ADB87663A32BE2A |
Version d’IIM | 4 |